Tata Mask Drawing

 A did a new drawing today. It was a cool, rainy day in Riga. Motivation and ambition have been low for me lately. I have lists and lists of things to do; ideas to explore, comix stories to layout; planning for a small press festival, etc, but I haven’t done any drawing in too long. I get cranky and worried if I don’t do some drawing on a regular basis. Maybe the machine will rust, seize up and that will be it! I will only get to do so many drawings. This weird and wild creature came from the Instagram feed of @Artkhade. Of course I was attracted to this mask for it’s intensity and rawness and because it reminded me of horror movies. I love the square eye holes and broad, fierce mouth and all those lovely teeth.

The Dogon people, well one of them, hacked out this Tata mask. I always encourage anyone who enjoys this art to learn more about the original culture and history. A good place to start is the listing on the Artkhade website. Artkhade is an amazing resource for browsing “ancient arts from Africa, Asia, Oceania and the Americas” and learning about the market for these incredible objects. This particular Tata mask recently sold at auction for €110,500! It’s difficult for me to correlate the idea of that much money being traded for this piece of art. It really doesn’t make any sense to me. This mask has a reality and power that transcends money. The craft person who created it was motivated by spiritual purpose, but who knows. Maybe it gave some currency and power (one and the same) to the maker within their culture? Isn’t that what many artists have chased through the centuries and still pursue today?

On this rainy day, I was just trying to get my ass moving, so thank you Tata mask and the Dogon people for the inspiration.

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Me and I has become We and Us....

 

My life has changed a lot since I last posted on April 11th. The biggest, most beautiful change was, I got married on April 26th in a simple civil ceremony here in Riga, Latvia. How does one go from being an "I" or "Me" to an "Us" and "We"? It's a mysterious process and different for every couple. It's a construction of a million moments of laughter and trust and patience. A daily risk that is part faith and part work and also fun. There will likely be some difficult moments that will test the strength of that vessel and hopefully make it stronger. I am grateful to have found someone to try again with. 

So, that is my elaborate excuse for not posting any drawings for over a month. Not the kind of thing you can use very often, or maybe just once. There was also an epic struggle with bureaucracy as I applied for residency here in Latvia, so I can actually live with my wife. It is not a status instantly granted. I will bore you the gory details.

The drawing this week is a "We Mask" (see what I did there...) taken from the instagram account of  "feereafricanart", which I have visited many times for inspiration. A quick bit of research on the We reveals that the name "We" means 'men who easily forgive', good advice, otherwise those toxic fumes will just damage your own soul. There's so much to love about this mask, the wide, powerful nose, the massive, gracefully shaped lips and the light geometric mask-shape around the eyes. It was a pleasure to have time on this peaceful Sunday to make this drawing.

And how was your week?

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Draw Angry

 

The war rages on. I am in awe of the Ukrainian people, soldiers and President Zelensky. The grace under pressure they display every moment is inspiring. It is gut-wrenching watching the horror and seeing that the Western countries are unable to respond for fear of triggering WW III, but most especially a nuclear exchange. I don't know what the right answer is, but I am glad to see the lines between the free world and the so-called "strongmen" is clear now and the fight is on. My hope is that this dark time will lead to a new, bright era. One thought that won't leave my brain alone is wondering why this had to happen? Why couldn't putin turn all of that effort, resources and planning to something positive for the common good? This war is a horrible disaster in every way and will set back Russia decades. Russia is a huge, beautiful country and could be a true world leader, not the corrupt crime joke it is now. Why is it more difficult for some people to create instead of destroy?

All of those emotions were swirling around in me when I made this drawing of a an African "We" Mask from "feereafricanart" on IG. I decided to run at it fast and loose and let that rough, frustrated energy flow. I exaggerated the eyeholes for effect. The mouth was a definite attractor for me with those big, fat lips and sharp, tiny teeth.

While the war rages, I have volunteered to help preserve Ukrainian digital culture through Saving Ukrainian Cultural Heritage Online (SUCHO) and have been working to archive Ukrainian websites. 

Glory to the Ukrainian people!

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This Should be a Dove

 

I'm feeling overwhelmed by the news of Russia's invasion of Ukraine. It's a disgusting, unnecessary, illegal and immoral act that seems like it should be impossible here in the 21st century; aren't we past world wars? But here we are and all because of one asshole who is not smart enough to think of creative ways to contribute to the common good, instead he has to fuck it up for all us. The people most negatively affected besides the Ukrainians are the Russian people who will have to suffer the consequences of this nightmare for generations to come.

So, what does that have to do with today's drawing? I almost didn't do anything today because, frankly, I feel really depressed about the state of the world. The center does not hold and all of that seems to be the way of the future. Why bother making a drawing or anything else? But I got something done, thanks to a bit of encouragement from Ieva. I feel guilty because I should have drawn something related to the war, drawn attention to some image or hopeful idea, but I wasn't feeling that. I needed a break from the doom scrolling of images of destroyed buildings, scared people huddling in subways, blasted tanks and satellite photos of damaged airfields. I went for the safety and comfort of African masks and pulled this one from the IG account of feereafricanart. Ironically enough, many of these masks were designed for rituals to confront danger, ward off evil spirits or send curses to bring misery to an enemy. I don't know what this Dan mask was original used for, but let's send it out to inflect sharp pains through Putin's colon and send him running for the nearest bathroom and a long, painful explosive shit that leaves him and limping. Fuck that asshole.

All we are saying is give peace a chance...

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Holo Man

Greetings and welcome to another Friday art post. This week is an India ink painting/drawing done with black and white ink applied with brush and pen, a technique I haven't done in a long time. I really love the subtle shades of grey this method allows. It's easy for me to fall into layering washes and diving into the intense blacks, then coming back with the heavy white ink (more like paint) to pick out details. I chose this mask specifically to play with this process.

This is a helmet mask made by the Holo tribe from Angola that I found on the Instagram account racine_premiere. Read more about the Holo people on this African Art website. 

The white areas around the eyes and mouth were the first element that attracted my eye and compelled me to draw this. The sharp teeth and shape of the mouth, which I detailed with a very fine-tipped pen, was another feature I admired. Finally, the crown with cross-hatched strong X's along the top was another detail that was a pleasure to draw.

And what art or creative action did you take this week? 

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Keep a Diamond in Your Mind

 

From the Tom Waits' song "Get Behind the Mule".

Never let the weeds get higher

Than the garden

Always keep a sapphire in your mind

Always keep a diamond in your mind

These are days that make me think of this song, because this song is a reminder that very often it is hard work to live a life. For some people they never get a break and never know comfort or love or security. These last couple of years it feels like we are all sliding in that direction, being pulled into the virus horror show and seas are rising and the wind is picking up. Or maybe it's just how I'm feeling because I finally caught COVID-19. I was fully vaccinated and boosted, but even so a breakthrough can and does happen, especially if you take your mask off in a bar and talk to many (6-8) maskless strangers over the course of a night. There was one tiny voice of warning providing a commentary track throughout the night, "This is not a good idea. You really need to put a mask on. You do know the pandemic is still raging?", etc., but it didn't matter. I'm as weary as most everyone else is of this new, shitty COVID-19 lifestyle and just decided to take one night off from thinking about it and that's how I got it. It has been an inconvenience, but only because I was vaccinated and boosted, otherwise I'd likely be in a hospital right now with a tube down my throat or worse. 

So here's my first, and hopefully last, COVID-19 drawing, actually done will the virus was in my system. It's an Ibibio Mask on found on "feereafricanart" once more on Instagram (I need to find some new sources as I hate to fuel Zuckerberg's fortune) I choose this mask because I love the top-heavy shape and Frankenstein-like head bolts. Also the overall look of the face, the wide, full lips and arched, dark eye sockets. It's maybe not my best drawing, but it made me happy to make it while I tend to my runny nose. 

"Keep a Diamond in Your Mind". What do you think that means? For me it means you focus on the positive, on that hard, brilliant piece of you that understands no matter how dark the world gets, you still have something to give. Something I have to give is my art. I make it for myself, but share it because I hope someone else will enjoy it, maybe be inspired to learn more about African Art or find a few minutes to cultivate their own creative life as others have inspired me to do. As I feel my body fighting back against the virus, it also makes me realize that I need to do more, make more art, focus on my creative life, finish the many half-completed projects because time is running out. 

What will you do with the time you have left?

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Wé Mask, Me Mask

Happy Friday! A little video experiment this week. There is a popular theory that all art is self-portraiture, which was going through my mind when I finished this week's drawing. Upon comparing my interpretation of this "Wé Mask" from the Côte d’Ivoire region of Africa, I noticed that I had drawn the face longer, stretching the original's roundness into a more naturally proportioned human face. When I looked more closely, I saw my own face. It's my subconscious lurking there under the skin ready to dance!

I found this fierce and beautiful mask on the Instagram feed of "amyasnaegele" and would encourage you to click through the link to read the detailed background information that Amyas Naegele has provided.

I really love the red around the eyes and will draw this mask again, next time larger and in color.

Where I live now, it's cold and there's snow and it is grey, but the days are slowly getting longer. It feels good to drop into art, make marks, play with the images in a video. 

What are you making these days?

Here are the still images...

OK HW

52 Fridays - BEARDROBEER

 

Happy "Black" Friday, although I don't do the big Christmas shopping thing anymore, especially on this day, so maybe I should say, "Anti-Black Friday". 

This week's drawing is a BEARDROBEER Gere African Mask from Liberia I found on an IG feed called "afrikaria". According to the description, the BEARDROBEER is some kind of crazy wild boar that has inspired ritual masks across a wide group of tribes in Western Africa. To my eye, he looks like one of the funkier and cool Muppets that likely sat in with Dr. Teeth's rock band. I gave the ballpoint ink pen a rest this week and used this lovely Sakura Pigma (Pig - get it!) Micron 005 pen that lays down a really nice line. I don't normally fetishize my creation tools, but I'm hooked on this pen and need to try some other sizes. This is a small, nearly tiny drawing, the pen is there is reference, no I'm not trying to sell anything here. I was inspired by the amazing work of R. Crumb and Moebius as I worked on the drawing. They both are masters of fine line work and getting the most out of every mark. Maybe if I keep practicing and live to 152, I might be as good as they are one day...

OK HW

52 Fridays - The Kiss Goodbye, the Kiss Hello...

 

This week's drawing was a quick one as it's been a busy time. I am traveling to Latvia to be with my girlfriend Ieva. I moved out of my apartment in Richmond, Virginia this week, put a few things in storage and gave away the rest. RVA has been a good home for me this last two years and I will miss, my friends, hiking along the James River and the people and culture here, so the kiss goodbye. On the other end of this journey is Riga, Latvia, also a city defined by a river, the mighty Daugava, also a capital city with good people and culture, so a warm kiss hello. 

This mask comes from the Luba people of the Zaire River Basin, who are known for their Striated face masks. I found it on the Instagram feed of "beauty_and_the_belief", whom I have pulled from before. Does that look like a kiss to you? It did for me.

See you next week from Riga!

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52 Fridays - Dark Mask

 

UPDATE- This a "Pende Mask" from the Congo region of Africa. Thanks to "gaetan_antic" from Instagram for the added information.

I know nothing about the origin of this mask other then it is from Africa. Unfortunately, "gaetan_antic" on IG didn't provide any background info, but I have a query into them, so will update this if they provide some details. It's important to credit the artist always. 

Halloween is done, so I'll return to tribal masks for the last seven drawings of the year. I choose this one because I like the shape of the eyes and mouth. There's also some interesting textures and reflections that are interesting. When I started the drawing, I was a bit timid and everything quickly became muddy, but then I stepped into the dark areas and pushed the contrast and it came alive. I find that if I get too precious with whatever art I am making, it has no life, but if I am willing to take a risk, even risk destroying the piece by going deeper into the dark areas, the unknown, then it lives. The lesson, let go of the illusion of control and just let the unknown flow.

Happy Friday!

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52 Fridays- The Song of the Songye

 

Happy Friday! This week’s drawing is from the Songye people if Africa. I drew from an image I found on the Instagram account of evansafricanart.

Have a good week!

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52 Fridays - You Had Me at Bobo

 

How can anyone resist Bobo? Maybe a creepy clown named Bobo, but otherwise, Bobo just sounds like fun. If I ever ran for President (I never will, overqualified), I would change my name to Bobo and surely would win. This week's drawing subject is a Bobo statue (Calao) Mali I discovered through the Instagram account of Artwork Baillod, a private Swiss collection of African Art. You can visit their website here. This figure made me think of Tim Burton's work, particularly "Beetlejuice" and the always reliably zany cartoonist Lynda Barry. He looks like a proud Bobo, with that grin and groovy hat. It was a lot of fun to draw him. If you are feeling stressed, drop what you are doing and draw a Bobo!

I've noticed that there have been more visitors to my blog in the last month or so, and I appreciate everyone taking a break from the million other eyeball options and resting here for a moment. Your eyeballs are welcome!

Have a good week!

OK HW

52 Fridays - Happier Vibes

 

Somehow we have made it to another Friday as this year of our (your? their?) Lord 2021 grinds on... I hope everything in your corner of the universe is going well. If so, then count your blessings. I try to do that everyday.

This week's drawing is a Dan Mask by the sculptor "Zon" from the Ivory Coast and Liberia region of west Africa. Once more, I returned to the fertile Instagram feed of "feereafricanart" So many wonderful examples of African art there. As always, if you enjoy this image, please take a moment to read about the history and origin of the Dan people so you can fully appreciate it. I love tribal art from all around the world, but African tribal art has a particular power and influence in my creative life. 

So, "happier vibes"? How so? After feeling the DOOM of life in 2021 closing in on me this last month, I am lighter today. Reminded myself that in my three feet of space, all is content and well. That all my hand-wringing and teeth-gnashing doesn't help or change anything. Better to keep a clear head, affect positive change where and when I can and let go of the rest. My interpretation of this mask shows that, as my version is narrower and has a gentler, less scary expression than the original. I like the original, and will draw it again sometime staying closer to the wider head, more intense eyes and larger lips, but I also like what I have done here. You got to love your imperfections. 

No change in materials, still using the same cheap, black Bic ballpoint pen in the same Muji notebook. Hope to have it filled by year's end.

Stay safe, be kind to everyone you meet and make something this week!

OK HW

52 Fridays - Another Frankenstein

 

Week 34 of the 52 Fridays drawing project and this week's subject is a "Ekoi Widekum headcrest" from the North-West region of Cameroon in Africa. Another image I harvested from Instagram ( I really need to break free from Zuckerberg's web) on "ph.ilippe1003" account . This is a headcrest, so not actually a mask. I choose it because I like the elongated shape, moody shadows and that it reminded me of some weird Frankenstein's monster variant with the electrodes running down the sides of it's head. Drawn with a cheap Bic ballpoint pen on regular paper, nothing fancy. I like to work with everyday materials and not fetishize my tools and work materials too much as it can be a distraction. I also like the quality of line that ballpoint pens produce. 

How was your creative week? 

Thanks for stopping by, see you next week.

OK HW

52 Fridays - Demons Loose in the Land

 

I'm so fuckin' tired of the virus, but the virus ain't tired of us yet, so here we are heading into fall with parts of the USA in total COVID free fall, hospitals getting overwhelmed by proudly unvaccinated morons who don't believe in science until they fall deathly ill, then they'll take all the science they can handle if it'll save their dumb ass.  I was actually hopefully for a few weeks in June that things were finally heading in a better direction, but now... Demons running loose in the lands. I won't unwind the whole DOOM spiral here as I'm trying to stay in the light, even shine some light. I'm trying real hard Ringo, but most days lately, it is not easy. 

Drawing and making something certainly helps blow those black clouds out. This week's drawing is another from the never ending stream of eye candy on Instagram and the account of "contemporarycongoleseart" . Here's a demonic looking "Tabwa" mask from the Democratic Republic of Congo. The Tabwa people are known for their fine carvings both masks and figurines, but much of their culture remains a mystery. was this demon mask used to protect the village or ritually reenact past terrors that the village survived? 

See you next week,

OK HW

52 Fridays - Red Frankenstein

 

Yes, I know that Frankenstein is the mad doctor's name and not the monster's, but "Red Frankenstein's Monster" just doesn't have the same ring to it. This drawing was inspired by an image of a "Grebo/Kru" mask I found on the Instagram account of "feereafricanart", a place that I have drawn from before. The Grebo people are from the Ivory Coast region of Africa and produced some amazingly weird and fantastic masks and other artworks. I know I'll be drawing from them again.

My version is very different from the original. There is some anxiety in mine that must be the result of reading the news first thing in the morning. I also leaned into the Frankenstein feeling and looking again, there's also a bit of Hellboy in there too. It was good to break out the color again and play with layering and throwing in some complementary highlights to sharpen the contrast and create some tension. 

Friend good, fire bad.

OK HW

52 Fridays - I Stick My Tongue Out At You

You know who you are, and I stick my tongue out at you. All the selfish, willfully ignorant humans out there that are making things so unpleasant for the rest of us. I tell you, I will not allow you to steal my smile, nor harsh my mellow.

Onward - This week's image is a "Yombe Ntadi Bakongo" sculpture from the Democratic Republic of Congo that I found on the Instagram account "contemporarycongoleseart". The original looks simple, but the more I look at it, the more I see. I'm feeling more confident to interpret more loosely; get up and do my thang. This is week thirty of this drawing project, twenty-two to go, though I don't think I'll stop after this year is up. This project is succeeding to help me re-engage my creative life on a more regular basis. I don't know why I resist doing something that I enjoy so much and is big part of my essential nature. There's always that little shitty voice that tries to talk me out of exercising or eating healthy or trying something new, taking a positive risk. Laziness is fear and fear is the mind killer, so I will resist it. I stick my tongue out at that fear. And you, what or whom do you stick your tongue out at?
See you next week,

OK HW

52 Fridays - The Center Isn't Holding Like it Used Too

This week I tweeted, "Looking through the news most days I feel like I am living in a prequel to Cormac McCarthy’s #TheRoad". If you haven't read the book or seen the movie, it's a tale of a father and son trying to survive and also keep their humanity in the face of an all too realistic dystopian near future of extreme weather and marauding bands of cannibals. I read the book once and saw the movie once and that was enough to haunt me. I don't think we are heading to the "end of the world", that would be too easy. No, I think we are moving into a new challenging era of chaos caused by climate change, the pandemic and hyper-tribalism that will just make life less pleasant than it's been in the Western world in the last century or so. Of course for most people in the "undeveloped world", it's more of the same. Life is never easy, so if they get flooded or there is a drought, those people pick-up their few belongs and move somewhere more friendly. In the west, we continue to build on the coasts, binge-watch streaming video in our air-conditioned McMansions and order shit we don't need from Amazon. Nothing hurts and the good times will never end. William Gibson the science fiction author once said, "The future will not be evenly distributed." I think the same thing can be said for this creeping dystopian environment we are living in. Parts of the world are burning and other areas are literally drowning. Some countries have more vaccine than they can ever use and the virus numbers are dropping quickly, while other regions haven't vaccinated anyone and the virus is running unchecked and unmeasured and the variants have fertile ground to mutate and get weirder and stronger. 

So what does all this DOOM TALK have to do with this week's drawings? I'm glad you asked. I drew the same face three times this week and realized that it feels like a scream. My scream. This is my version of Munch's "Scream". It's all I can manage in the face of such existential dread. It's the face I make while, "...listening to the terror through the wall." (Ginsberg) I hope it is not my death mask. Mixed in with this darkness is some light, some hope of reset and finding a new way to live. That a new society will carry on, despite the difficulties, but it will be a bumpy ride.

This is a "Keaka Head" created by the Ejagham People from Cameroon region of Africa.  I found this on "feereafricanart" an Instagram feed I have pulled from before. I was immediately hypnotized by the eyes and teeth. Also made me think of Jack Kirby, the legendary comic book artist's work. I did three versions to explore that face. Two drawn with a cheap-ass ballpoint pen, directly referencing the photo and one from memory with a marker type pen and intentionally trying to channel Kirby's style (and falling short).

Which one do you like?

Do you feel the DOOM as intensely as I do or do you think I am being melodramatic?

See you next week...

OK HW