Wé Mask, Me Mask

Happy Friday! A little video experiment this week. There is a popular theory that all art is self-portraiture, which was going through my mind when I finished this week's drawing. Upon comparing my interpretation of this "Wé Mask" from the Côte d’Ivoire region of Africa, I noticed that I had drawn the face longer, stretching the original's roundness into a more naturally proportioned human face. When I looked more closely, I saw my own face. It's my subconscious lurking there under the skin ready to dance!

I found this fierce and beautiful mask on the Instagram feed of "amyasnaegele" and would encourage you to click through the link to read the detailed background information that Amyas Naegele has provided.

I really love the red around the eyes and will draw this mask again, next time larger and in color.

Where I live now, it's cold and there's snow and it is grey, but the days are slowly getting longer. It feels good to drop into art, make marks, play with the images in a video. 

What are you making these days?

Here are the still images...

OK HW

52 Fridays - Number 53 Bonus Week - What's Next...

 

The "52 Fridays" project was actually a "53 Fridays" project all along. That is quite fitting as 2021 proved to not follow any of my assumptions from even that basic one to where the world would be with COVID-19 (Like many people, I thought it would mostly be a non-problem by this point...) Heading into 2022 I have decided the best policy is to have no assumptions or expectations for the year and just take each day as it comes. Better to remain flexible and patient; adjust as necessary. 

This week's image is another I found on "fernandin_jones" most excellent Instaspam feed. No information there, but likely Africa. As always I will update this post with background information when it becomes available. It is always important to connect the cultures and give proper credit whenever possible. This is my interpretation of someone else's work.

The dark, deep shadows pulled me, but also the sweet smile and kind eyes, which I rendered a bit sadder looking then the original. Putting on a brave face reflects how I feel going into 2022. Keep that grin on, but it's difficult to hide the emotion in my eyes. 

It's been a good run making these fifty-three drawings. I have an idea for presenting them and may put them together as a show. Find a place to exhibit them IRL (In Real Life). Doing these drawings every week has reconnected me with the practice of making art. Now, I am feeling a bit off if I don't sit down at least once week and do some scribbling. I will continue doing some kind of creative work every week, but haven't decided what form that will take.

On this last day of 2021, I am grateful for my health, for the love in my life and the friends I have to share the journey. 

Wishing all of us have a peaceful 2022 filled with good times with friends and a few adventures too!

Never Give Up!

OK HW

52 Fridays - Songye, If I Had a Hammer

 

"And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy My brothers. And you will know My name is the Lord when I lay My vengeance upon thee.” - Jules "Pulp Fiction"

Are you feeling it? Because that's what I'm picking up off this Songye nail fetish figure from the Congo area of Africa. Each of those nails likely represents a curse put on someone by an enemy or it could be against this specific figure or they could represent all the people this person killed, anyway you look at it, this figure is one bad pile of Ju-Ju. 

I collected this image from "fernandin_jones" great feed on Insta-spam. No information about it other than it's a "Songye" figure and it is for sale. 

The strange, large head with nails sticking out of it and the expression on the face is what compelled me to draw this piece. I also like the fragmented body (a reoccurring motif in my drawings) and the overall shape. This also inspires an alien or demon character design that I will tinker with. Would make for a cool stop-motion creature...

Happy Friday and Happy Christmas!

OK HW

52 Fridays - Patchwork Tin Man

 

Have you ever felt like you were ripped up and reassembled? That's what I thought when I saw this strange figure fabricated from pieces of tin (or is it bronze, brass?) Chunks of life tied together in a patchwork that make a world-weary soul. I can relate.

I know nothing about this piece unfortunately, other than it is likely from Africa. I found it on the Instagram account of "fernandin_jones" . Update! Fernando Pujol provided information about the piece. It's an"old reliquary Kota from Gabon".

On first look, the shape caught my attention, then the expression, the eyes and mouth (great lips always get me) and the droopy horns that just lay down along the oval dome head. Once more I worked tiny, this piece is only nine centimeters high, same pens as last week (Sakura Pigma Micron 005 and Mitsubishi Uni Pin Fine Line 0.3) and added him to the same page of last week's drawing. The style is inspired by R. Crumb with some Frank Miller thrown in. I will drawing this one again sometime using a ballpoint pen that allows for more subtle shading and textures. 

It is a snowy day here in Riga, Latvia. It's been snowing nearly everyday for the last week and stayed cold enough that the snow hasn't melted, just piling up. Good day to hunker down and make drawings.

Happy Friday,

OK HW

52 Fridays - A Fragment from a Sacred Post...

 

Is this a fragment of a sacred post? Too early to judge. Greetings from Riga, Latvia. I am settling into this new life, feeling a bit fragmented myself from the jet lag and soft culture shock. I could do with a bit of defragmenting. 

This drawing was done on a layover in JFK airport on the flight over. It is a "FRAGMENT OF A SACRED POST", Gupna village, Owaraha island, Solomon island, Melanesia that I found on the IG account "tribal_art_society". I'm always drawn to fragments of sculpture or carvings and I'm not sure why that is. Maybe it's the asymmetrical form or the opportunity to fill the space in, who knows. This one also pulled me in with the one good eye and large nose ring and small, pouty mouth. 

So was this a sacred post? Only time will tell...

OK HW

52 Fridays - You Had Me at Bobo

 

How can anyone resist Bobo? Maybe a creepy clown named Bobo, but otherwise, Bobo just sounds like fun. If I ever ran for President (I never will, overqualified), I would change my name to Bobo and surely would win. This week's drawing subject is a Bobo statue (Calao) Mali I discovered through the Instagram account of Artwork Baillod, a private Swiss collection of African Art. You can visit their website here. This figure made me think of Tim Burton's work, particularly "Beetlejuice" and the always reliably zany cartoonist Lynda Barry. He looks like a proud Bobo, with that grin and groovy hat. It was a lot of fun to draw him. If you are feeling stressed, drop what you are doing and draw a Bobo!

I've noticed that there have been more visitors to my blog in the last month or so, and I appreciate everyone taking a break from the million other eyeball options and resting here for a moment. Your eyeballs are welcome!

Have a good week!

OK HW

52 Fridays - Happier Vibes

 

Somehow we have made it to another Friday as this year of our (your? their?) Lord 2021 grinds on... I hope everything in your corner of the universe is going well. If so, then count your blessings. I try to do that everyday.

This week's drawing is a Dan Mask by the sculptor "Zon" from the Ivory Coast and Liberia region of west Africa. Once more, I returned to the fertile Instagram feed of "feereafricanart" So many wonderful examples of African art there. As always, if you enjoy this image, please take a moment to read about the history and origin of the Dan people so you can fully appreciate it. I love tribal art from all around the world, but African tribal art has a particular power and influence in my creative life. 

So, "happier vibes"? How so? After feeling the DOOM of life in 2021 closing in on me this last month, I am lighter today. Reminded myself that in my three feet of space, all is content and well. That all my hand-wringing and teeth-gnashing doesn't help or change anything. Better to keep a clear head, affect positive change where and when I can and let go of the rest. My interpretation of this mask shows that, as my version is narrower and has a gentler, less scary expression than the original. I like the original, and will draw it again sometime staying closer to the wider head, more intense eyes and larger lips, but I also like what I have done here. You got to love your imperfections. 

No change in materials, still using the same cheap, black Bic ballpoint pen in the same Muji notebook. Hope to have it filled by year's end.

Stay safe, be kind to everyone you meet and make something this week!

OK HW

52 Fridays - Chokwe Mask

 

Another Friday already. This year is flying by, unlike last year, which seemed to last for ten years. Now that I am all vaxxed up (get your shots you swine you!) I'm beginning to get back out into the world and it's good. I'm returning to a more normal rhythm of life, so the pace is picking up. Starting to look forward to going to the movies again and hanging out in restaurants and pubs. 

So what does that have to do with this week's drawing? Absolutely nothing at all!

This week's drawing is a Chokwe Mask, an image I found on the Instagram feed of johngrahamtribalart. A quick bit of research shows me that the Chokwe people live in south central Africa where the Congo, Angola and Zambia are today. I chose this image because of the tight framing that fills the space, for the big, alien-like eyes and the expressive mouth lined with the sharp teeth. I used an ordinary black ballpoint pen. As is often the case, I began doubting what I was drawing, resisted the urge to abandon it, but fought through and kept with it and like the final result. I don't know why I make the drawing process so difficult. 

Did you make anything this week? If not, get your ass in gear, time is a wasting.

See you next week,

OK HW

52 Fridays - Happy Earth Day

 

Happy Earth Day! It was a chilly, but sunny day in RVA yesterday. I got out for a five mile walk, then sat down and drew this lovely, little cabbage head. She was inspired by an image I found on the Instagram account of "fernandin_jones". There is no description, but it looks like a carved piece of jade, a bead from a necklace. I'm guessing it could be from Central America? I always prefer to credit the culture I am drawing from out of respect, but also to provide a node point to connect fellow seekers. I pushed the green color in my interpretation just because it is my favorite color. 

This is week seventeen of the 52 Fridays project. So what is your favorite drawing so far? Any requests?

See ya next week,

OK HW

52 Fridays - Fast and Loose

 

"I'm better when I move..." A favorite line from "Butch Cassidy and the Sundance Kid". This week's drawing is of the fast and loose variety. I seem to have two speeds, either "fast and loose" or "slow and tight". It is some insight into my psyche. The F & L drawings drop from a place of confidence and have more life. The S & T drawings rise from an opposite place of careful, too careful, consideration and a desire to disappear into the details. Somehow the F & L drawings manage to capture more of my soul, maybe because I am thinking less and just making marks, which feels good. 

This was drawn from an image found in the book, "African Art" by Frank Willet. This mask is from the Congo basin area of Africa and is called "Ngbangba Ikoro" and was carved by the Ibo tribe. I always include this information so you can research this if it inspires you like it does me. It's a holy act to speak those tribal names and draw their image with my own hand attaching some of my spirit to their's to keep that energy flowing. I'm not trying to appropriate the culture, rather, I hope that it will appropriate me.

Happy Friday amigo,

OK HW

52 Fridays - Ibo Mmaji Mask

 

Happy Friday once again and the last one of February. This week's drawing is a "Mmaji (or maji or ma ubi) mask from Ibo, Nigeria I found in a book called, "Masks of Black Africa", that is in my personal library. Sometimes I prefer to draw from a book and take a break from the screens that dominate my life now (computer, phone and TV). I chose this mask because it is so weird and wonderful and just makes me smile. It is abstract and goofy and kind of cyberpunkish. I used a basic black Bic ballpoint ink pen.

I noticed that since I've begun this project that I am doodling more. I crave drawing. I'm compulsively making marks everyday now. It's my natural state. Go with the flow...

I hope you are safe, healthy and can go with your own flow.

OK HW

52 Fridays - Bassa Beauty

Happy Friday and week number seven of the "52 Fridays Drawing Project". Only forty-five weeks to go...

This week is an African woodcarving from the Bassa people (of Liberia) from an image I found on IG posted by "feereafricanart". The sweet, soft feminine quality of the face is what compelled me to draw this. Unfortunately, I completely missed capturing that quality, as my image is decidedly more masculine. I read somewhere that all art is self-portraiture and I think this sketch proves that theory. Even so, I still like the drawing that I made as it has it's own life. Perhaps that beautiful woman gave birth to a beautiful son? I like the shape of this face, full at the crown and narrow at the chin. Reminds me of a seed. Plant this, nurture it and grow yourself a beautiful friend. 

See you next week.

OK HW

52 Fridays - It's Friday Somewhere...

All good intentions and all of that... yeah, so week six and I have already missed posting on a Friday, but it's got to be Friday somewhere right? Better to carry-on and get back on track. The harsh critic, doubter part of my brain whispered, "No one's looking at this, so why bother?" and "The world is awash in unasked for content that no one has time to look at. Why add to the noise?". Why indeed? Because I enjoy making these drawings. It just feels good to make art, make anything and be active and not passive. 

This week's subject is a terra cotta figurine from Mali that I found on IG posted by "la_chefferie_paris". There is a vulnerability to this figure, something in the awkward, sitting pose, missing arms and directness of the gaze. I may draw this again as I would like to spend more time exploring the subtle textures and shadow interplay.

See you again next Friday-is...

OK HW

52 Fridays - A Drawing Project

Greetings and Happy New Year! Here's wishing that 2021 is a better year than 2020, which is a pretty low bar to cross. I'm not one for setting "New Year's Resolutions" (sidebar shout out to my pal Neil's podcast where he recently ruminated on this very topic), but I do love to set goals for the year. S.M.A.R.T. (Specific, Measurable, Achievable, Relevant and Time-based) goals, stuff like, log 1,200 miles walking/running/hiking. I hit 1,972 miles last year. This year I decided to set an art-based goal that will motivate me to draw more often. Inspired by my prolific friend (same guy with the mentioned podcast) Neil Bruce's "52 Fridays" music video project from last year, that I contributed some video clips to, I have decided to do an art version of that project and will post a drawing every Friday through 2021. I will primarily be posting new drawings, but there might also be the occasional blast-from-the-past. 

This week's drawing was done today and was taken from an image I found on Instagram posted by "@johngrahamtribalart". It's an interesting woodcarving of a simple, primitive style face from the Lobi tribe according to the info from the original post. I used a cheap Bic ball-point pen and drew it in a little travel sketchbook that doesn't lie flat, so I get to be a hand model. 

Only fifty-one to go! 

See you next week,

OK HW

 

The Old Guinea is All New Guinea to Me!

I love primitive art from every culture and time period. There is a spiritual power and fierceness I find that permeates art created in pre-modern cultures. I am no scholar or authority on primitive art (the scholars and authorities are vigorously nodding their heads in agreement), but merely an admirer, so often when I am drawing for pure pleasure, I will crack open a book on African or Mexican or, in this case, Melanesia culture and flip through until something speaks to me. I always acknowledge the culture I am literally drawing from because I respect their art and hope that the information inspires someone else to learn more about an indigenousness people. Here is the link to the Papua New Guinea National Museum and Art Gallery.

I have recently done two drawings of New Guinea, Astrolabe Bay Masks that were collected in the late 1800s.

I generally am first drawn to a mask by it's overall shape and this one has a strong, top-heavy look. The mouth-like eyes are weird enough for me and I like how you can see the cutouts for the wearers actual eyes just underneath. The mouth itself looks dangerous, something from a nightmare.

The second mask reminds me of some mutant beatnik with the tiny soul man beard hanging off his chin and crazy, beanie hat on his conehead dome. I also love the cinnamon bun eyes, once again with cutout eye holes just underneath.

I hope to travel to Papua New Guinea one day and draw some masks from the real thing and not just from a photo.

OK HW