2023 – Once More Into the Fray…

I have not been a big fan of the 2020’s on a global and historical level. It’s been a bit of a scary shitshow of a decade so far. On a personal level however, it’s been an invigorating period. In 2023 I managed to get closer to the kind of creative life that I prefer to live, but was elusive to me for some years. There had been flashes of projects here and there through the years; the random art exhibition or acting gig, but I was too occupied with the “rat race” to be fully engaged in my creative life until now. Settling into a new life in Riga, Latvia, I have found the time and space I need to circle back around to unfinished creative pursuits. Maybe this is just a bit of a middle-life crisis playing out to re-embrace the comix, movies and art I was obsessed with as a teenager or maybe it’s a proper second (third?, fourth?) chance to once more live that creative life I had in my twenties, whatever it is I am grateful for the opportunity.

So the year that was 2023 and what did I accomplish? First big achievement was designing a new Weaverwerx logo and website, something that had been on my mind for an embarrassingly long time. I have more plans for the logo; animation, stickers, and more. To go with this new virtual space, I also secured a dedicated physical office/studio, something I haven’t had (outside of regular jobs) in a very long time. The coffee shop or kitchen table was no longer cutting it for a workspace. I need to spread my stuff out. It’s working for me.

COMIX
I finally got back into making comix again after a thirteen year absence. I wrote and drew three new comix stories; “Burls & Gnarls”, “THAT HAT” and “RESPECTO!” and submitted them to various publishers. A British annual anthology called “UGLY MUG” included “RESPECTO!” in their seventh issue, which has also been reviewed and mentioned in a variety of podcasts and blogs. The other stories will be part of the next issue of my own zine “RELUCTANT SADIST”, which was last published in 1989 (no, really), so look for that soon!

ACTING

I registered with a few of the local casting agencies and picked up my first three paid European acting gigs this year including my first bit of ADR work on the feature film “Limonov: The Ballad of Eddie” and a great role as an 18th century professor for an upcoming episode of the German TV show “Terra X” about Laura Bassi, the the first woman to have a doctorate in science. I also had the lead role in a student film called “The Road” that I have yet to see.

ART

My artistic output last year was focused on drawing, lots of drawing, more than I’ve done in years. I also was hired to paint two murals. The first one was at an annual international art exhibition in Riga called "SurvivalKit" and the second was at the National Library of Latvia (Latvijas Nacionālā bibliotēka), both for the Latvian alternative comics publisher kuš! komikss.

FILM

I completed one music video project called “Space and Darkness” in collaboration with my friend Neil Bruce (Light B4 Sound). We have another project in the works, so stay tuned.

One final note, this post’s title is a quote from the film “The Grey” and was written by the director Joe Carnahan. Here’s the full quote that the protagonist played by Liam Neeson uses a mantra to keep going despite a bleak future, “Once more into the fray, into the last good fight I’ll ever know. Live and die on this day, live and die on this day”. That is on the wall next to my desk and will be my mantra for 2024. Never stop fighting for your creative soul.

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Je Suis Charlie - 1/7/15 - Image-a-day

I was sadden and horrified by the terrible news from Paris today of the brutal attack on the French satirical magazine "Charlie Hebdon". A few years ago I had heard about some French newspaper that had published some cartoons depicting Mohammad in an unflattering way and there had been death threats, but forgot about it until today's terrible news. I never heard of nor knew the magazine or the names of the artist, but know them now. Four cartoonist were murdered today for making fun of a religion. They drew funny pictures and made rude comments and that was enough to drive a few broken, deranged idiots to destroy them. Those four brave cartoonist were:

Stéphane Charbonnier "Charb"

Cabu

Georges Wolinski

Tignous

There were others killed in the attack, eight other people and more injured, and they too risked and gave their lives fro free expression. Tonight there were protests all across Paris and Europe, silent vigils of thousands carrying signs of solidarity that read, "Je Suis Charlie". I've been to Paris a couple of times and love the people and culture there. It makes my heart sick to think of the hate and violence of todays' events, but seeing those Parisans from all walks of life standing together reassures me that they will not be oppressed. 

"Je Suis Charlie" indeed. I thought about throwing out some snarky Mohammad cartoon, but my beef isn't with Islam or Muslims, the vast majority of whom are just as outraged at this tragedy as anyone else, so why throw more fuel on the fire? So instead, I drew my old underground comix character, 3-D Speed Freak saying "Je Suis Charlie", solidarity in the comix world and the real world too. Now is the time to stand with the Parisians and the French and all other lovers of art and free expression. 

Je Suis Charlie...

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Image for December 3, 2011 - How These Things Get Done...

I have mentioned on here from time-to-time about a project I am working on to collect my old underground comic from the late 1980s called "Reluctant Sadist". Considering the glacial pace that I have been moving on this project, I should just call it "RELUCTANT" and turn it into a performance art piece. I was going great guns gathering materials and scanning all the art work and contacting folks from the past securing permissions to use their words and images and then I came to the hard part of the project; ACTUALLY WRITING THE DAMN THING. Through the years, I have grown lazy in my creative work habits and throw on top of that distractions like the internets and the sad result is not much to show. Part of my problem too is I haven't been able sustain the effort. Sure, I have been able to achieve little victories here and there, but then I'll have a gap of months with no work and I lose the flavor of the thing. Today, I decided to commit to half an hour a day to the project, even if it's just research or reading, I need to keep my ass in the chair with the materials in front of me for that thirty minutes. Now, that doesn't sound like a lot of time, but you'd be surprised at how much can be accomplished in those thirty minutes. I also find that I often work well beyond that period, as I did today, because the hardest part for me is often just getting started. Here's my work table, I need to spread out. I also have three different notebooks open for other notes because I usually get ideas for other projects; short movies, comix stories, this year's Xmas card, etc; and I make sure to capture them all.  I also took this photo to document how I work, as I enjoy seeing other people's work and studio spaces. What's your workspace look like?

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Image for 4-18-11 - peep

I always liked this frame. It's from the fifth issue of my old underground comix, "Reluctant Sadist". I need to get back working on the book project I started that will collect all the issues together and also other work from that time. The "peep" is because I got no excuse. I must get ass in gear.

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Image for 2/17/11 - Reluctant Sadist book project

Today, another panel pulled from my old comic "Reluctant Sadist". I am making some solid progress on my book project to collect all that old stuff. Here's a little taste from issue five.

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Image for 2-13-2011 - Progress

I got a fair chunk of writing done yesterday (I know, I'm a day late) on my "Reluctant Sadist" book project. Worked on Chapter eleven that collects underground comix art I did for other publications. I was surprised at how much I did and I wonder if I had stayed with it, where I might be today. I suffer from the jack-of-all-trades curse. I can do a lot of things moderately well; well enough that I could make a mark in any one area. But, as it has gone, I've dabbled. I did devote myself to sculpture for a number of years, but even then I explored different styles and subjects. In the past twenty five years I have gone from comic book style drawing and monster make-up work to sculpture and writing (poetry, non-fiction articles and a feature film screenplay) to painting and acting. I love it all. So, here I am back 'round the horn and writing about the old comix work. Will it lead to my return to that world? Stay tuned to find out...

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Image for February 2, 2011

This is a self-portrait sketch I did back in the mid-nineteen eighties. I dug it out while working on a book project to collect together all the artwork from my time doing underground comix. Progress has been slow lately, but I hope to get back on track and finish the dang book.

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What if Salvador Dali were Santa...

That was the thought that sparked this piece. I based the writing on Dali's wacky essays and the images riff off his amazing paintings. As promised in a previous post, here's the whole thing (note- click any of the images to enlarge). If you want an actual hard copy of this tale, it appears in Dan Taylor's "Pork Belly Holiday Special 2010". Dan did a fine job assembling a wide and weird variety of art from the nice to the decidedly nasty. My pal Ralf Schulze got the back cover with a one page bit that will guarantee him a place on the naughty list. Thanks' to Dan for including Santa Dali in that mix. You can decide if it's naughty or nice.

Merry Ho-Ho!

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page one

page two

page three

It's been a long time...

...and so, I finally got my holiday-themed piece, "Santa Dali" done for Dan Taylor's mini-comix "Pork Chop". I can't recall the last time I put ink to bristol board and crafted a little comix nugget, must be close, too damn close, to twenty years. It felt good to make marks like that, to play with ideas and words. The final piece is closer to an illustrated ramble than a true, traditional panel and speech balloon comic, but still laid down nicely. One thing I enjoyed was re-engaging with the physical act of art making. It is a renewal of spirit for me and connects me to the world in ways this old laptop and the intertubes never will. Is this the beginning of a new chapter in my life as a underground comix artist? We shall see. In the meantime, there's a little taste of my efforts. I'll post the final three-page story as soon as the printed edition hits the streets.

Zahdah.

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Dali Doodle

Another surrealist, this time the godfather of them all, Salvador Dali. I've always appreciated Dali's style, his ability to extend his brand through the decades. He was doing the personality as pop-art cultural icon thing a long time before Andy W. was even thinking about art. Dali was way-out there, but had the power of weirdness and high, natural talent on his side, so laid his particular flavor of gravity down and the world flowed around him.

I did this drawing as he needed to be part of my little sketchbook of surrealist, but also because I'm working on a short holiday-themed comix piece for a pub out of Austin, Texas called "Pork Chop". Let's just say that Mr. Dali figures prominently in the storyline...

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