52 Fridays - Teotihuacán Head Mexico

Welcome to week ten of this 52 Friday's drawing project. This week I was inspired by an image from a book called "Before Cortes Sculpture of Middle America" from the MOMA online library.  Great site to visit if you have a few hours, days or weeks to burn. I find the I'm compelled to draw pieces that have some damage; chips, cracks, worn surfaces; something that has a bit of character. This is the face from a female figure carved from greenstone. I think I will draw her again sometime as I'm not completely satisfied with this one. I drew the forehead to high and the eyes are too small. I also think my tones are too flat. I took too much time and over thought it a bit. Even so, I had fun making this drawing. Not a bad way to pass a Friday evening...

Have a good one,

OK HW

Chet EXCU - 4/9/15 - Image-a-day

Chet Baker's moody, blue jazz music entered my life through the lovingly black and white gaze of Bruce Weber's documentary, "Let's Get Lost". I knew nothing of Baker or his music before seeing that movie, but became an instant fan of both his music and sad, tragic life. Bruce Weber's stark, black and white images emphasized the tortured crags of Baker's face and I explored that landscape in a series of four bas-relief sculptures. It was the early 1990s and I was working on the moniker of "Kan-Ken Studios" doing a few outdoor art shows and making a very modest living with my art. This piece is called "Chet EXCU" and was sculpted in oil-based clay, then molded and cast in dental stone and painted with acrylics. It lives in a collection in Richmond, Virginia now.

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Raiders of the Lost Burrito - 2/2/15 - Image-a-day

Did I visit a museum today? No, I went to lunch at a Mexican restaurant that was recently renovated and tricked out with an extra helping of Mayan and Aztec inspired art. The scenic design was so elaborate that it was like walking onto the set of a Indiana Jones knock-off. "Indy, the monkey died, don't eat that burrito!" Someone put a lot of effort into all the wonderfully detailed sculptures and wall paintings. I hope they had as much fun making it as I did looking at it.

OK HW

"Maya Bird" Takes Flight

My latest woodcarving was inspired by a Mayan icon of a bird that I found in a book called, "Design Motifs of Ancient Mexico". The book features simple black and white drawings collected from rubbings of pottery and temple art across central America. The author, Jorge Enciso, has categorized the images by subject; geometric shapes, types of plants and animals, etc., and I never fail to find something to get my creative juices flowing again.

I am still working on a pile Cedar boards leftover from a fence project. The wood is not ideal for detailed work as the grain density isn't always consistent. Sometimes a good section will have a fibrous, coarser band running through it that makes it difficult to render finer bits.

The first photo shows my simple reference freehand drawing and the next photo was the outline cut done with a coping saw.

Sometimes, on larger pieces, I'll use a jigsaw to do the outline cut, but this wood is prone to split and this is a smaller piece, only five inches long, so better to take some extra time and care and do it the old-fashioned way.

The third photo is the completed carving before any finish has been applied.

I used artist's acrylic paints to finish this piece, experimenting with a resist method by covering some of the raw wood with a gloss medium to create naturally lighter areas; beak, body and tail feather tips. Then I washed in some brunt sienna and red in the lower areas and crevices. To further emphasize the deeper lines, I used a little bit of black, then coated the entire piece front and back, with more gloss medium.

OK HW

The Little Sketchbook

My last post was about a drawing that was the final drawing in this little sketchbook. The first drawing was done August of 2008 and was a study of an Egon Schiele painting. The last was the sketch I did of the Oscar Kokoschka sculpture , "Self-Portrait as a Warrior" in January of 2013. It took me four and a half years to complete this little book. It's dog-earred and heavy with ink now and I'm glad to reflect on the journey that it documents. This little visual journal has helped me reconnect with making art and though it has been a slow process, it's been worth the time. Part of the effort was regaining confidence in my ability to create art that has some value and meaning to me. Another part has been to spend time gazing with loving intent at art objects that inspire me, in this case primitive art. There's an unself-consciousness to primitive art that I envy and admire. The fierce, powerful shapes hold a magic that I don't often recognize in contemporary art. I hope by inscribing them again with hand and eye, that I might invoke some of their mystery.

The first drawing that I posted from this book was a portrait of Luis Buñuel. I drew him because I love his quote, "Thank God I'm an atheist". Some other drawings that I posted from this book included; a portrait of the surrealist Oscar Dominguez, an Edgar Allen Poe, an African Akan sculpture, another African mask, this time from Basonge, Zaire,  and a Mexican primitive piece, Tlaloc, the God of Rain. There were other posts from this book. If you click the "art" tag it will sort out some of them.

Now I need pick a new sketchbook to start on. This time I think I'm going to go larger.

OK HW

Meet Tlaloc, the God of Rain (and do we need him now more then ever)

It was another one hundred degree plus day, probably the hottest yet. Earlier in the day I got out for a four mile hike. It wasn't more then a half mile from the house when I was soaked in sweat. The sun beat down relentlessly, the heat penetrating through my hat down into my head and soul. It reminded me of the kind of heat I endured the first time I went to Mexico back in the spring of 1988. My friend Colin and I rode buses all the way from Virginia down into Mexico going all the way down and through to Merida. Along the way we went to Palenqué and visited the ruins there.

I saw a lot of this kind of sculpture on the temple walls. On the walk back, I decided to carry some of that heat and memory into a new drawing. Once again I picked an image from a book I have from the National Museum of Anthropology in Mexico and started scribbling. It wasn't until I finished the piece and was adding the description that I realized that I had unwittingly drawn "Tlaloc, the god of rain". A strange, accidental cry to the heavens to open up and give us some liquid love.

OK HW

Toltec Telamon, Tally Me Bananas!

It has been very hot here along the coast of Virginia lately. A perfect time to stay in the AC and do some drawing. I flipped through a big art book on the National Museum of Anthropology in Mexico City and found this cool figure from the Toltec culture in Tula, Hidalgo called a "Telamon". I believe he was a support leg for an alter. What attracted me to this figure was the pose and the eyes. I exaggerated the face, especially the round, goggle-like eyes. He reminds me of something the French artist Mobieus would have drawn. Here's a close-up.

OK HW