Wé Mask, Me Mask

Happy Friday! A little video experiment this week. There is a popular theory that all art is self-portraiture, which was going through my mind when I finished this week's drawing. Upon comparing my interpretation of this "Wé Mask" from the Côte d’Ivoire region of Africa, I noticed that I had drawn the face longer, stretching the original's roundness into a more naturally proportioned human face. When I looked more closely, I saw my own face. It's my subconscious lurking there under the skin ready to dance!

I found this fierce and beautiful mask on the Instagram feed of "amyasnaegele" and would encourage you to click through the link to read the detailed background information that Amyas Naegele has provided.

I really love the red around the eyes and will draw this mask again, next time larger and in color.

Where I live now, it's cold and there's snow and it is grey, but the days are slowly getting longer. It feels good to drop into art, make marks, play with the images in a video. 

What are you making these days?

Here are the still images...

OK HW

52 Fridays - Another Frankenstein

 

Week 34 of the 52 Fridays drawing project and this week's subject is a "Ekoi Widekum headcrest" from the North-West region of Cameroon in Africa. Another image I harvested from Instagram ( I really need to break free from Zuckerberg's web) on "ph.ilippe1003" account . This is a headcrest, so not actually a mask. I choose it because I like the elongated shape, moody shadows and that it reminded me of some weird Frankenstein's monster variant with the electrodes running down the sides of it's head. Drawn with a cheap Bic ballpoint pen on regular paper, nothing fancy. I like to work with everyday materials and not fetishize my tools and work materials too much as it can be a distraction. I also like the quality of line that ballpoint pens produce. 

How was your creative week? 

Thanks for stopping by, see you next week.

OK HW

The Return of the Lo-Fi-Ga - Daav

It wasn't always like this. Long ago, the world was run by many gods, large and small; powerful and meek; arrogant and humble. Every god had their place and task and their community hummed with divine purpose. As humankind crawled out of the dark of superstition and stumbled into the light of civilization, those gods were forgotten one-by-one, until now. I have begun a series of carvings to try and resurrect those old gods, because face it, these days we need all the help we can get.

Here is the very first one, a lesser god, or "Lo-Fi-Ga" in the ancient tongue. His name is "Daav" and his domain was/is the eye rub. Whenever you get an itchy eye, old "Daav" is there to help you out.

This carving is tiny, less than an inch-and-a-half high, not including the base. It's carved from a dried Hickory tree nut husk fragment which I have been collecting from a nearby park when I'm out walking.

Until December 7, 2014, you can see this piece in the flesh at the "Small Works" Exhibition at the Charles H. Taylor Center in Hampton, Va. After that show, I don't know where you'll be able to see him as he has become part of somebody's collection.

OK HW

The Little Sketchbook

My last post was about a drawing that was the final drawing in this little sketchbook. The first drawing was done August of 2008 and was a study of an Egon Schiele painting. The last was the sketch I did of the Oscar Kokoschka sculpture , "Self-Portrait as a Warrior" in January of 2013. It took me four and a half years to complete this little book. It's dog-earred and heavy with ink now and I'm glad to reflect on the journey that it documents. This little visual journal has helped me reconnect with making art and though it has been a slow process, it's been worth the time. Part of the effort was regaining confidence in my ability to create art that has some value and meaning to me. Another part has been to spend time gazing with loving intent at art objects that inspire me, in this case primitive art. There's an unself-consciousness to primitive art that I envy and admire. The fierce, powerful shapes hold a magic that I don't often recognize in contemporary art. I hope by inscribing them again with hand and eye, that I might invoke some of their mystery.

The first drawing that I posted from this book was a portrait of Luis Buñuel. I drew him because I love his quote, "Thank God I'm an atheist". Some other drawings that I posted from this book included; a portrait of the surrealist Oscar Dominguez, an Edgar Allen Poe, an African Akan sculpture, another African mask, this time from Basonge, Zaire,  and a Mexican primitive piece, Tlaloc, the God of Rain. There were other posts from this book. If you click the "art" tag it will sort out some of them.

Now I need pick a new sketchbook to start on. This time I think I'm going to go larger.

OK HW

I'm a Monkey, baby!

I saw this monkey mask at an exhibition at The Charles H. Taylor Art Center in Hampton, Va and took a picture. It's a simple, decorative piece, not a "real", "danced" mask. Even so, I like the clean shape of the face and the hair lines and the button eyes. I forgot to record any information about where this mask came from or who made it, so I did a web search for "African Monkey Masks" and I found that this is likely to be a mass produced mask from Indonesia. That's alright, it's still a cool looking mask and I enjoyed drawing it.

OK HW