The hard part begins...

I have been tracking down folks and publications whom either contributed to my old comix "Reluctant Sadist" (remember the book project I'm working on) or reviewed it to get permission to reprint their work. It's been a fun and enlightening bit of detective work. Everyone has been very supportive and cooperative so far and that has been encouraging me to get more done. My biggest enemy right now is negative inertia. It's too easy to let the job, socializing and household duties eat up all of my time (not to mention the TV and the intertubes). Getting all the material cleared is a huge step. Now the hard bit begins. I have to actually start writing something. To jump start that creaky chunk of grey matter, I have dug out the old journals from that time period and have been reading through them trying to get back to that time and place. Sifting through the petty gripes and endless blathering to find a live wire that reconnect me to the heat. Help me understand why I was doing what I was doing and why I stopped. Examining each issue again is setting off smoke bombs and bottle rockets, flashes of memory and insight and I know once I get the hand moving the words will lay down.

I added a link on the sidebar to the right to Brad Foster's web site Jabberwocky Graphix. Brad contributed a cool one page piece to the fifth issue of RS and has agreed to let me reprint in the book. Thank you Brad.

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Ralf Schulze Blog

I discovered recently that a good, old friend of mine, Ralf Schulze, has a blog about his art called Aardvark Farms. Ralf and I met through the underground world of self-published comix. He was a New York guy hammering out his weird, purposefully offensive punk art (check "Wah Tem Eye" left) back then and our mutual desire to shock the rubes made us instant friends. Twenty years on, we are both reasonably responsible adults now with families and jobs and such, but both still hold on to that sharp, rusty blade, carving out our strange visions, but man, it is much harder to shock people now or even get them to notice. Lots of competition for eyeballs and the underground is no longer so under, nor dangerous, or exotic. Just another page to surf through...

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Progress...

I have actually been moving in what could be mistaken for a forward direction on my "Reluctant Sadist" book project. "Reluctant Sadist" was an underground, self-published comic that I did back in the late 1980s'. I printed seven issues before I got distracted by sculpting, but that's a story that'll be saved for the book. All the artwork has been scanned, plus loads of stuff that I did for other comix and even a nice chunk of scribbles and sketches. It's been a lot of fun to dig back through the piles and look at all that old stuff. I've finally made my pack-rat tendencies pay-off, as I have plenty of material for the book, including old reviews from "Factsheet Five" and "Small Press Comics Explosion". Next up will be getting folks who contributed to my old comic to sign release forms, so I can use their stuff. Then the hard part, I have to start writing.

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Night Vision

"Night Vision" was my second student film made as a final project for Film Making 102 at TCC Virginia Beach. This time we had to edit and have sound. This was back in the late 1980s, so editing meant physically cutting the film and using either tape or cement splices to join the new pieces. If you made a mistake, you were screwed, especially if you were working on your only copy of the film as all the students doing this project were. There was no "undo", no easy to make digital back-up. You rolled the film back and forth in the moviola and thought very carefully about the artistic choice you were about to make because there might not be any going back. Of course it was easier to think back then because there wasn't the consistent interruptions of Facebook or e-mail or cell phones, etc. The sound was accomplished by laying down all the music and dialogue to cassette tape and playing it back while projecting the film. It was closer to performance art, then cinema.

The original story of "Night Vision" was taken from an underground comic book that I published for awhile called "Reluctant Sadist". I had a ready made story already storyboarded so that gave me a big head start for this project. I also had an advantage in my then room friend and long time friend Colin Martin as he was (still is) a gifted musician and willing to take a run at acting, so I also had a star and music composer in house. Colin played "Sam" the nightmare-suffering lead and I took on the role of "Speed", his less-than-helpful, hyperactive roommate donning the hair farm. We shot all the interiors in our apartment with the black & and white dream sequences shot in and around the abandoned waterfront warehouses (long since torn down for luxury condominiums) in downtown Norfolk, Virginia. I couldn't afford the time or money for black white film, so I hit upon the idea of shooting the dream sequences on video, then filming them off the TV screen. This also allowed me to play with the brightness and contrast to give the footage a more dream-like quality. The final touch was looping the dialogue and Colin's fantastic music. As I recall, the student audience responded very well and the teacher was thrilled. Ah, glory days....

OK HW