Can Refrigerator Magnets Defeat Domestic Violence?

I am running in a 5k race this Sunday that is a fundraiser for Samaritan House, which is a worthy charity that helps victims of domestic violence and families at risk of becoming homeless. Full disclosure, my wife works part-time at Sam House, so we often participate in their fundraising events. In recent years, government funding has been becoming less available, so charities like Samaritan House are struggling to find money to help their clients.

Last year was the first time I ran a 5k of any kind and I enjoyed the atmosphere and sense of purpose. It felt good to give back to the community. This year I decided to try and raise extra funds on top of what I have contributed. I've built a pretty decent social network and want to see if I can use it to educate and amplify for this cause. My goal is $500. I am suggesting a donation of $10, with the hopes that I could get fifty people to come through. So far, I am 60% of the way there. I hit on the idea to provide an additional incentive and offer up these two groovy, vintage Kan-Kan Studio (my old studio name from the 1990s) fridge magnets that I recently dug up. Here's the deal; who ever makes the largest contribution, will get their pick between the two. I'll do a drawing among the $10 or more donors for the other one. A mere ten bucks will get you a chance to own one of these beauties. It also feels damn good .

>>> Click right here to go to my Crowd Rise fundraiser page <<<<

Thank you!

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Exhibition bound - "Big Chief Bad Noodle"

I finished "Big Chief Bad Noodle" with a lick of acrylic paint and a touch of gold leaf; rubbing and distressing the surface to make it look like an artifact.

As a newbie woodcarver, I'm pleased with the results I got from using hand tools and the dremel.  I have a whole stack of cedar to play with and will get rolling on the next piece soon.

This piece was taken from a tiny sketch that I did a long time ago.

 I decided to not try and copy the original design exactly, leaving some room open for randomness. As you see, he was wider through the middle in the sketch and where the "brain" is was just a pattern that doesn't quite work. I also changed to the brain matter when I thought of the name.

"Big Chief Bad Noodle" will be hanging in the "Small Works - Miniatures by Tidewater Artists" at the Charles H, Taylor Center in Hampton, Va. from October 12th until December 1st. Last year I had a drawing in that show, "Edgar Allen Poe VS. The Brain Eating Microbe". I need to get started now on some work for next year's show as I am always procrastinating until the last minute.

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Big Chief Bad Noodle

I am working on a new woodcarving, a small piece that might wind up in a local show if I can finish it by the entry date (some things never change). I'm using a combination of hand tools and a Dremel, playing around with different techniques and seeing what works. For the moment I am calling this piece "Big Chief Bad Noodle", but that could change. I still need to paint him and that could spark another name. I love the smell of fresh sanded Cedar wood.

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How We Remember

I've tried to explain to a few friends what Vine is and they all have the same reaction, "Six seconds? That's it? What can you do with that?". Good question. I think six seconds is freeing because it breaks the expectation we normally have for watching a "short" video. It also occurred to me that our memories, well at least my memories, seem to happen in short chunks; chunks that might just be about six seconds long. When I call up a memory, often times it is a flash of an ordinary moment; walking down the street, waiting in line, a turn of the head and a smile. If I try to remember a long event, it still comes to me in little packets of memory. Vine videos replicate that.

Last weekend, my wife and I were hanging out on the patio listening to the new Steve Earle album and I happen to look straight up and saw some beautiful clouds floating overhead.

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Saturday evening chillin' w @SteveEarle (CD) on the patio. https://t.co/qAiwuDJHc7
— Hal Weaver (@Weaverwerx) June 16, 2013

"The Struggle" - A Vine Stop Motion bit

"The Struggle", a short stop-motion animation starring "Frank" from "Sin City". :)

"The Struggle" a #vine animation. Never give up! Weaverwerx.blogspot.com vine.co/v/bLiaHpvPHQ5
— Hal Weaver (@Weaverwerx) June 7, 2013

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Six Seconds on The Vine

This morning, a friend of mine posted this link;

http://www.thisiscolossal.com/2013/06/animator-ian-padgham-flourishes-within-vines-6-second-limitation/

on a well-used social media web site. I instantly fell in love with these imaginative and lyrical very short, just six-second animations created through a new (to me) app called Vine. I was intrigued enough with the concept of what could be done with six seconds, that I downloaded the app and installed it on my iPod. Here's first attempt;

My #firstpost on Vine. TS Andrea on the way. vine.co/v/bLWulDBxYVn
— Hal Weaver (@Weaverwerx) June 6, 2013

Believe me, I realize it is a very humble start, but what I liked about it was the immediacy of capturing a moment. The six second time limit and lack of customization options strips away the clutter and forces the creator to make something. Even if that "something" is bad or boring, it's over so quick, no harm done. The six second limit also makes the videos more honest in a way. I see that people are willing to share very mundane moments, which for me is where life happens. Most of our lives are made up by those "mundane moments", so what a fine gift to glimpse other folks slices of life and save some of my own.

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Covering the Beer Revolution

Sometimes work finds you. Usually when you already have more then enough to do. I was in just that state of heightened activity when my old friend, Jeff Maisey, owner/publisher of VEER Magazine approached me to create an illustration of George Washington raising a pint for the May issue. "When do you need it?" I asked him. "I don't need it until May second. That gives you plenty of time". "I'm leaving for Scotland on April twenty-fifth, so I'll have to have it to you by the twenty-fourth". And so it began.

Jeff's idea to have Washington raising a pint came from another venture of his, a new web site promoting Virginia Craft Beer, and with Virginia being strong in the "Founding Father's" department and George being such a recognizable figure, it was a natural. I decided to take a pop art approach to the piece, with bold colors, heavy lines and starburst background. Jeff approved my concept and I was off and drawing. I only had to reach into my pocket and pull out a dollar bill to use as reference for my portrait. I also served as my own hand model and used the camera built-in to my laptop to shoot a few images of my hand holding a pint glass.

I decided the final work would be done as a vector image in Adobe Illustrator, so that I would have maximum flexibility with color and scalability. I scanned in my drawings, George and the hand holding the pint were separate pieces and placed them in my Illustrator document. I tried the auto-trace feature on my scans, but my first drawings of George were too rough and I couldn't get the look I had in mind, so I created a larger, cleaner drawing of George (shown above) by doing a quick tracing over a blown-up image from the dollar bill and finishing details by hand. This image yielded better results with the auto-trace. I cleaned-up any unwanted artifacts and modeled the mouth into a smirk. All the coloring was done on separate layers above and below the outlines using the paintbrush tool controlled via mouse (next time I'll have a Wacom tablet). I finished the illo with the starburst background and sign plate with the tagline, "a revolution is brewing" and delivered my files via dropbox. In the final printed version, they added the Virginia Craft Beer title. The printed issue is available in the Tidewater region of coastal Virginia through the month of May.

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The Little Sketchbook

My last post was about a drawing that was the final drawing in this little sketchbook. The first drawing was done August of 2008 and was a study of an Egon Schiele painting. The last was the sketch I did of the Oscar Kokoschka sculpture , "Self-Portrait as a Warrior" in January of 2013. It took me four and a half years to complete this little book. It's dog-earred and heavy with ink now and I'm glad to reflect on the journey that it documents. This little visual journal has helped me reconnect with making art and though it has been a slow process, it's been worth the time. Part of the effort was regaining confidence in my ability to create art that has some value and meaning to me. Another part has been to spend time gazing with loving intent at art objects that inspire me, in this case primitive art. There's an unself-consciousness to primitive art that I envy and admire. The fierce, powerful shapes hold a magic that I don't often recognize in contemporary art. I hope by inscribing them again with hand and eye, that I might invoke some of their mystery.

The first drawing that I posted from this book was a portrait of Luis Buñuel. I drew him because I love his quote, "Thank God I'm an atheist". Some other drawings that I posted from this book included; a portrait of the surrealist Oscar Dominguez, an Edgar Allen Poe, an African Akan sculpture, another African mask, this time from Basonge, Zaire,  and a Mexican primitive piece, Tlaloc, the God of Rain. There were other posts from this book. If you click the "art" tag it will sort out some of them.

Now I need pick a new sketchbook to start on. This time I think I'm going to go larger.

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The Expressionist-Beatnik Connection

My latest drawing is of a sculpture by the Austrian Expressionist artist, Oscar Kokoschka titled, "Self-Portrait as a Warrior". It currently resides in the Boston Museum of Fine Art. I chose to draw this piece for several reasons.

First, I love the shape and power and emotion of this sculpture. Even though it's suppose to be a "Warrior", rather than looking fierce, I think he looks frightened. The second photo is of the original work (Courtesy of a blog called "Tall Tales From the Traveling Thornberries"). The second reason I picked it was it reminded me of the  underground comix artist Mark Marek who did a book called Hercules amongst the North Americans. The third and finally motivation was I think there is more then a passing resemblance to Jack Kerouac's running mate, Neil Cassidy; hence the "Beatnik Connection".

The coincidence is a bit uncanny as Kokoschka's sculpture was done decades before Cassidy was even born. Beat writing certainly have an expressionist feel.

This drawing finally completes a sketchbook that I've been working in for way too long. Here's the full shot of the drawing.

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I'm a Monkey, baby!

I saw this monkey mask at an exhibition at The Charles H. Taylor Art Center in Hampton, Va and took a picture. It's a simple, decorative piece, not a "real", "danced" mask. Even so, I like the clean shape of the face and the hair lines and the button eyes. I forgot to record any information about where this mask came from or who made it, so I did a web search for "African Monkey Masks" and I found that this is likely to be a mass produced mask from Indonesia. That's alright, it's still a cool looking mask and I enjoyed drawing it.

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Fool in the Rain

This weekend has mostly been a wash due to the "Super Monster Storm" also known as Hurricane Sandy. We lost power a couple of times today. I enjoyed the break from being connected. It was relaxing to sit and listen to the wind and rain and work on a drawing.

Today's drawing came from a great old tome that has been in my library for many years called "History of Far Eastern Art" by Sherman Lee. It's a wonderful, thick book full of photos of amazing art stretching back for centuries. My eye landed on a tiny bronze sculpture from the Indus culture, a "Dancing Girl" from the Mohenjo-daro region. I like her attitude and her weird, cyber-punk left arm. Everything ancient is futuristic again. Sometime many years from now, when I look at this drawing again, I'll think about the rain and the wind and the quiet space that Sandy gave me so I had time to dance with this beauty.

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"Edgar Allan Poe Vs. The Brain Eating Microbe"

After too many years, I am finally exhibiting some art again. I was invited by James Warwick Jones, the gallery manager at the Charles H. Taylor Arts Center in Hampton, Va to participate in the "Small Works" show. The piece I am submitting is called, "Edgar Allan Poe vs. The Brain Eating Microbe" and is a new version of a drawing I made for the "Monster Drawing Rally" for the 1708 Gallery in Richmond, Va. Here's the post for the Poe study I did back then. I loved the concept so much that I wanted to spend a lot of time producing a highly polished version in miniature for the "Small Works" show.  I found the frame at a thrift store, which was an amazing accident that completes the work.

If you are a local or in the area on Hampton, Va on November 2, come on out to the opening reception.

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Ibo - West African Mask Drawing

The tools you use to create are important because they help remove the obstacles between the idea and the execution. The right brush or instrument or camera can make all the difference, so when you find that thing that fits your hand, you want only that. For me, it's a proper ink pen. I use a variety of pens and will use whatever is available, but when given the option, I go back to a few tried and true pens. I recently decided to track down a pen that I've always loved, Pilot Better Stick Ballpoint Pen (BP-S). I tried a couple of the chain office supply places, but no joy, but I was able to find them online and ordered a box.

What I love about the BP-S is the soft, thin lines it makes and the fine control of gradient and texture I can achieve. It's a lightweight pen that is easy to grip and they are not so expensive that if you lose or break one that it's a problem. They can get a bit blobby at times, leaving surprise little globs of ink where you might not want them, so I keep a scrap piece of paper nearby to spin the tip on to clear it.

This drawing is of an African mask from the Ibo group of West Africa. I like the realistic facial details and the white paint that's flaking off. I also like the plank coming out of the top of the head. There are small holes drilled through it that make me wonder what was attached.

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